Very high quality early films, like the fantasy productions of Georges Mlis, might have this extra attention lavished on them. This labor-intensive technology was only possible because the earliest films were very short, only several hundred feet in celluloid length. Painters colored each part of each frame of each copy of the reel by hand. Unbelievably, it was done precisely as the name implies. Hand-coloring was the earliest kind of film shading. The various schemes for injecting pigment into the picture before the introduction of Technicolor include (Though the effect could actually be rather surreal.) So within a very short time after the invention of cinema, filmmakers started retouching their own film stock. Photographers in the nineteenth century had been retouching their black-and-white portraits and landscapes to make them look more realistic. Probably the most important fact to remember is that, though early on, most movies were shot on black-and-white film stock, it was always possible to manipulate that celluloid to create color color film has been around almost as long as moving pictures. Famous Instances of Black and White and Color.Draining Away and Saturating with Color.The Politics of Color: The Contemporary Scene.The Aesthetics of Black and White and Color.Blitz-Klieg: A Brief History of Black-and-White Film.Film: Aesthetics of Black and White and Color Film.
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December 2022
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